Aloof and abstinent surgeon

Chapter 119 Modeling for Yun Feiyang

After dinner, Li Qian went to the garden, picked a bunch of wild flowers, made a wreath and put it on her head.

Li Qiancai returned to the restaurant, and Nangong Jin had just finished his meal.

She said, "Brother Jin, let's go up to the eighth floor and I'll try on some clothes for you."

Nangong Jin responded, “Okay.”

When she reached the bedroom on the eighth floor, Li Qian changed into flesh-colored panties and a bra.

Li Qian's bra was a tube top style. She changed into tulle and walked barefoot on the carpet with her long hair draped over her shoulders.

Because the underwear Li Qian wore was flesh-colored, and she was wearing silk brocade on the outside, which was also transparent like the white gauze. She wore a garland on her head, looking ethereal and with a primitive and wild beauty.

Nangong Jin said: "Qianqian, you look very beautiful in this dress, like a fairy."

Li Qian asked: "Brother Jin, if I wear these clothes tomorrow and let Yun Feiyang draw, you won't be jealous, right?"

Nangong Jin said: "You are wearing underwear under the gauze, and you are not a mannequin, so it is still within my acceptable range."

Li Qian said: "That's good, Yun Feiyang's painting skills are very good, tomorrow, I hope he can show my most beautiful side in the picture, which can also be regarded as a photo album of my youth.

The oil painting theme of the Wushan Goddess and Mountain Ghost series is one of the series I have always wanted to try to create. It is a very meaningful thing for me.

Now, I have met Yun Feiyang, a painter who has a tacit understanding with me, and I don’t want to miss this opportunity.”

Nangong Jin said: "Okay, Qianqian, whatever you want to do, as long as it does not violate the law, I will support you."

The next morning, after they finished their meal, Leng Feng drove the car, and half an hour later, the three of them arrived at the eastern suburbs.

After Li Qian got off the car, Yun Feiyang's car had already stopped there. He was seen leading a leopard. The leopard was very docile and had a rhino horn on its head, which looked very much like a unicorn.

Yun Feiyang said: "Qianqian, change your clothes, and then I will start painting, time is a bit tight."

Li Qian said, "Let's go. It won't be too late to change when we get to the filming location under the big tree."

She followed Yun Feiyang to the filming location, where there was a big tree with very thick roots. The circumference was at least 4.5 centimeters, and it took three people holding hands to surround it.

The tree trunks are covered with vines and green moss. Some vines even hang down from the branches, which is very artistic and poetic.

Li Qian went to the woods and changed into gauze. She walked to the leopard, touched its head, and talked a lot. The leopard was very docile and did not reject her touch.

Li Qian calmed her mind, put aside all distracting thoughts, and her eyes were clear and simple.

Yun Feiyang also got into the mood. He squeezed the paint on the palette and started painting.

In the first painting, Li Qian is wearing a wreath on her head, and she is barefoot, riding on a leopard.

The leopard's head was facing east, and Li Qian was looking to the left. Her left hand was on the leopard's back, and her right hand was lifting her long hair, which was flying in the wind. Her eyes were charming and her figure was enchanting.

In the second painting, a leopard is pouncing on top, and Li Qian is sitting on its right. She has a bun on the right side of her head with a small purple wreath on the bun. Her bangs are slanted to the right. She has long black hair, which is pure and lustful, full of primitive wildness.

Her legs were crossed, her heel facing backward and left, her knees bent sideways, her right hand was placed in front of her chest with her index finger raised and her chin resting on her chin, her left hand was resting on her right thigh, holding two brown Ganoderma lucidum.

In the third painting, Li Qian is wearing a wreath, lying on a piece of chestnut-colored wood with her eyes closed. Her upper body is lying flat, while her lower body is with her legs crossed, forming an S-shaped posture lying on the right side.

The fingers of her left hand were placed on her waist, and her right hand was formed into a V shape and placed next to her head. There were also two Ganoderma lucidum placed next to her right hip.

In the fourth painting, Li Qian is lying by the river with her legs crossed and her heels facing backwards. Her chin is supported by her right hand with her fingers slightly curled up. Her left hand is placed across her chest on a stone. She is looking at the fish in the river.

Yun Feiyang painted a total of four oil paintings in the Wushan Goddess and Mountain Ghost series.

Li Qian took a look at the resulting image. He had great painting skills. Both the characters and the unicorn were painted realistically and looked lifelike.

She said to Yun Feiyang: "This can also be considered as my photo album. I really like the four paintings. After you take the photos, I will take the paintings home."

Yun Feiyang said: "Okay, if you like it, take it."

It was already 18:15, so they packed up their things and drove to the city.

After arriving at the East Suburb Villa and finishing her meal, Li Qian went up to the eighth floor. She washed up, then fell on the bed. After a while, she fell asleep.

After dinner, Nangong Jin went to the study and dealt with some official business. At ten o'clock, he went upstairs to sleep. Li Qian on the bed had already fallen asleep.

The next morning, when Li Qian woke up, Nangong Jin was not by her side, so she went downstairs to the study room to find him.

She said, "Brother Jin, this afternoon, I want to draw a few groups of David statues, and I want Yun Feiyang to be my model. Do you think it's okay?"

Nangong Jin searched on Baidu and found that all the pictures of David statues were naked. He immediately expressed his opposition: "No, I don't agree."

"Brother Jin, the one wearing a pair of shorts is considered a semi-naked model."

Nangong Jin softened his tone and said, "Okay, I'll let Leng Feng go with you later."

Li Qian asked tentatively: "Brother Jin, aren't you going with me this afternoon?"

Nangong Jin said: "There are a lot of things to do in the hospital, so I won't go."

Now, Li Qian was so happy that she thought it would be better if you didn't go. So, she called Yun Feiyang and made an appointment to leave at ten o'clock.

After lunch, she let Leng Feng drive, and the two of them headed straight to the valley in the eastern suburbs.

Half an hour later, they arrived in the valley.

Yun Feiyang had arrived a long time ago, and Li Qian asked his driver to stay and watch the car in the valley.

Li Qian asked Leng Feng and Yun Feiyang to stand on her left and right sides.

After she finished reciting the spell to shrink the earth, she held their hands and slowly rose up. After five minutes, they reached the top of the mountain.

Li Qian moved her mind, and the easel and painting tools came out of the space and were placed on the ground. She then asked the two of them to take off the black cloth covering their eyes.

The two of them placed the easels and painting tools at the location designated by Li Qian.

Li Qian sat in front of the easel. She scooped some water from the bucket and put it in the palm of her hand. Then, she recited a spell of invisibility.

"Water is the air of concealment, fog is the image of concealment, and whatever I conceal disappears."